Vol. 13, n° 1, mai 2016.

Articles

Gross, Jonathan & Stephanie Pitts : ’Audiences for the contemporary arts : Exploring varieties of participation across art forms in Birmingham, UK’

O’Neill, Sinéad, Joshua Edelman & John Sloboda : ’Opera and emotion : The cultural value of attendance for the highly engaged’

Parsemain, Ava Laure : ’Do critical viewers learn from television ?’

Wiard, Victor & David Domingo : ’Fragmentation versus convergence : University students in Brussels and the consumption of TV series on the Internet’

Yecies, Brian, Jie Yang, Aegyung Shim, Kai Soh & Matthew Berryman : ’The Douban online social media barometer and the Chinese reception of Korean popular culture flows’

Themed Section 1 : ‘Secret Cinema’

Atkinson, Sarah & Helen W. Kennedy (Themed Section Editors) : ’Introduction : Inside-the-scenes – The rise of experiential cinema’

Pett, Emma : ’"Stay disconnected" : Eventising Star Wars for transmedia audiences’

Svensson, Alexander & Dan Hassoun : ’"Scream into your phone" : Second screen horror and controlled interactivity’

McCulloch, Richard & Virginia Crisp : ’"Watch like a grown up … enjoy like a child" : Exhibition, authenticity, and film audiences at the Prince Charles Cinema’

Levitt, Linda : ’Hollywood, nostalgia, and outdoor movies’

Vivar, Rosana : ’A film bacchanal : Playfulness and audience sovereignty in San Sebastian Horror and Fantasy Film Festival’

Atkinson, Sarah & Name Name (Themed Section Editors) : ’From conflict to revolution : The secret aesthetic, narrative spatialisation and audience experience in immersive cinema design’

Themed Section 2 : ‘Consortium on Emerging Directions in Audience Research’

Ranjana, Das & Brita Ytre-Arne (Themed Section Editors) : ’After the excitement : An introduction to the work of CEDAR’

Mathieu, David, Miguel Vicente-Mariño, Maria José Brites, Inês Amaral, Niklas A. Chimirri, Juliane Finger, Bojana Romic, Minna Saariketo, Riitta Tammi, Marisa Torres da Silva & Liliana Pacheco, with contributions from Félix Ortega : ’Methodological challenges in the transition towards online audience research’

Stehling, Miriam, Juliane Finger & Ana Jorge : ’Comparative audience research : A review of cross-national and cross-media audience studies’

Kaun, Anne, Jannie Møller Hartley & Janis Juzefovics : ’In search of the invisible (audiences)’

Pavlícková, Tereza & Jelena Kleut : ’Produsage as experience and interpretation’

Mollen, Anne, Minna Saariketo & Jelena Kleut : ’Intersecting audience activities : An audience studies perspective on the materiality of design, platforms and interfaces’

Ridder, Sander De, Lucia Vesnic-Alujevic & Bojana Romic : ’Challenges when researching digital audiences : Mapping audience research of software designs, interfaces and platforms’

Murru, Maria Francesca : ’Listening, temporalities and epistemology : A hermeneutical perspective on mediated civic engagement’

Murru, Maria Francesca & Miriam Stehling, with contributions from Inês Amaral & Marco Scarcelli : ’The civic value of being an audience : The intersection between media and citizenship in audience research’

Vesnic-Alujevic, Lucia & Maria Francesca Murru : ’Digital audiences’ disempowerment : Participation or free labour’

Dias, Patrícia & Ana Jorge : ’Audience experiencing of emotions in the contemporary media landscape’

Zaborowski, Rafal & Fredrik Dhaenens : ’Old topics, old approaches ? "Reception" in television studies and music studies’

Mathieu, David, Maria José Brites, Niklas A. Chimirri & Minna Saariketo : ’In dialogue with related fields of inquiry : The interdisciplinarity, normativity and contextuality of audience research’

Themed Section 3 : ‘Exploring imaginary worlds : Audiences, fan cultures and geographies of the imagination’

Wolf, Mark J.P : ’Foreword’

Proctor, William & Richard McCulloch (Themed Section Editors) : ’Introduction’

White, Daniel : ’Middle Earth Music : The sonic inhabitation of a fantasy world’

O’Malley, Evelyn : ’Imagining Arden : Audience responses to place and participation at Taking Flight Theatre Company’s As You Like It’

Jamieson, Gill & Ann McVitie : ’Noir Building ? : Understanding the immersive fandom of Noir City’

Reagin, Nancy : ’Dances With Worlds : Karl May, "Indian" hobbyists, and German fans of the American West since 1912’

McCormick, Casey : ’"There’s More Than One of Everything" : Navigating Fringe’s Cofactual Multiverse’

Lyczba, Fabrice : ’Spectatoritis vs. World-Building : Sandbox spectatorship in American children’s silent film culture’

Spanò, Carmen : ’Audience engagement with multi-level fictional universes : The case of Game of Thrones and its Italian fans’

Norris, Craig : ’Japanese media tourism as World-Building : Akihabara’s Electric Town and Ikebukuro’s Maiden Road’

Hassler-Forest, Dan : ’Skimmers, Dippers and Divers : Campire’s Steve Coulson on transmedia marketing and audience participation’