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The Journal of Popular Television

Vol. 7, n° 1, mars 2019.


I’m (not) a girl : Animating experiences of girlhood in Bob’s Burgers (Katie Barnett)

‘They were extraordinary circumstances’ : Biopolitics, medicine and the state of exception in NBC’s The West Wing (Daniel Kasper)

‘The King’s shilling’ : How Peaky Blinders uses the experience of war to justify and celebrate toxic masculinity (George S. Larke-Walsh)

Looking through the upside down : Hyperpostmodernism and trans-mediality in the Duffer Brothers’ Stranger Things (Tracey Mollet)

Finding yourself in Lost : Viewer interpretation of the series through reader response (Meagan Standridge and Kristin M. Barton)

Identifying systemic creativity in Vince Gilligan’s Breaking Bad (Rama Venkatasawmy)

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